The way I've planned the Concrete Babylon project differs from how I've worked previously. I used to plan my film projects very linear where I started with the story, decided on a theme and then wrote a synopsis before moving on to the outline to the treatment and to the screenplay, then I did the character and set designs, storyboard and the animatic before moving on to do the animation and, after a huge amount of time, when I was done I moved on to the editing and sound design. On paper this always looked good. One element building on top of the other, constructing the film one step after the other. But the problem was that nothing in the world works perfectly linear.
by: Peter Hertzberg